Lost Synagogues of Europe: Paintings and Histories brings to life seventy-seven European synagogues destroyed by antisemitism, war, and political upheaval, rendered in evocative gouache paintings and historical prose.

Prints of these paintings by artist Andrea Strongwater will be on view in the Learning Commons from January 29th – March 31st.

Image: Andrea Strongwater, Great Synagogue Danzig Exterior, 2025, gouache.

A small showing of paintings and drawings by the Haitian master, who was one of the most important woman Haitian artists of the 20th century.

Due to various unavoidable factors the quiet opening for Relative to the Collection: Luce Turnier has been delayed until February 25^th at 1 p.m. This showing will be on view in through April 10th, with a reception on Wednesday, March 25th at 5 PM.

Image: Luce Turnier, Untitled, 1980, drawing. From the collection of Axelle Liautaud.

A group exhibition of contemporary artists curated by Director of the Art Galleries Sydney Jenkins and feminist artist and curator Donna Kessinger.

Planned public programs include a lecture relating to goddesses history, a film screening and academic panel, exhibiting artists’ talks, performance art, and a punk feminist band concert.

From the classical to fashion history to myth to popular culture and political art, this exhibition will flex numerous ways to think about the meaning of Goddesses.

Artists represented range from Dara Birnbaum, Nancy Spero, Mary Beth Edelson, and Carolee Schneemann to Myrlande Constant, Vanessa Beecroft, and Mariko Mori, among others.

Due to various unavoidable factors the quiet opening for GODDESSES 3.0 has been delayed until February 25^th at 1 p.m. This showing will be on view in through April 10th, with a reception on Wednesday, March 25th at 5 PM.

Dates of other GODDESSES 3.0 events to be announced soon!

View the information page for this exhibition here!

Image: Pat Lay, Altar Heads Series #4: Diviner, 2003, fired clay, steel, gold leaf.

Please join us in the Berrie Center Café at 11:30 for a special talk by Art Historian Maria Loh in which she bridges renaissance imagery and notions of misogyny.

This event is held in conjunction with GODDESSES 3.0, on view in the Kresge and Pascal Galleries February 25 – April 10. More information on GODDESSES 3.0 can be found here!

ABSTRACT

ABOUT THE SPEAKER

Maria H. Loh is Professor of Art History at the Institute for Advanced Study in Princeton. Previously, she taught at CUNY Hunter College for six years and at University College London for over a decade. She is a contributor to Art in America and the author of three books—Titian Remade. Repetition and the Transformation of Early Modern Italian Art (2007); Still Lives. Death, Desire, and the Portrait of the Old Master (2015); and Titian’s Touch. Art, Magic, & Philosophy (2019). She has also written on: horror and “special affect” in early modern painting and sculpture; rainbow imagery in Stuart England; melancholia and the Renaissance in Ottocento Italy; remakes in Chinese cinema; repetition in Hitchcock’s Vertigo; seriality and Sherrie Levine; and the “open work” of Jeff Wall. Her forthcoming book—Liquid Sky—will be written for a general audience. 

Image: Maria Loh, courtesy of the Institute for Advanced Study.

As part of the GODDESSES 3.0 exhibition, on view February 25 – April 10, the Ramapo College Art Galleries are pleased to present a screening of Carolee Schneemann’s Ask the Goddess (1991).

Ask the Goddess is a provocative performance in which Schneemann interacts with the audience by responding to sexual and psychic dilemmas read from cards they have submitted. A continuous relay of projected slides comprises an iconography of Goddess symbols, taboo and sacred, including images of animal attributes. Schneemann reacts spontaneously to the questions; she channels cogent answers triggered by the unpredictable images and finds herself physically activated, turning into a howling wolf or crawling across the projection area, squealing like a pig. (Description via Electronic Arts Intermix).

Following the screening, there will be a panel discussion featuring Rachel Churner, director of the Carolee Schneemann Foundation, and Donna Kessinger, co-curator of GODDESSES 3.0 and feminist video artist.

Location TBA

Image: Carolee Schneemann, Ask the Goddess, 1991. Photo courtesy of the Carolee Schneemann Foundation.

Join us in the Kresge and Pascal Galleries on Wednesday, March 25th from 5 – 7 PM to explore and celebrate the GODDESSES 3.0 and Relative to the Collection: Luce Turnier exhibitions!

The evening will begin with time to view the galleries, followed by artist and curator talks at 6 PM.

View the GODDESSES 3.0 information page here!

Refreshments will be provided.

Image: Nancy Spero, A New Consciousness (detail), print, Ramapo College Collection, gift of the artist.

Feminist punk band the Dick Pinchers will be performing a set on the grounds by the Berrie Center as part of the robust programming around GODDESSES 3.0. More info on this exhibition here.

The performance will take place in the late afternoon of April 10th, exact time to be announced soon!

ABOUT THE BAND:

The band Dick Pinchers is multi-media, multi-disciplinary artist Sierra Furtwangler (of Blood and Stomach Pills)‘s brainchild. It all started through a Facebook post. Sierra posted that she wanted to have a girl band named Dick Pinchers, she tagged Laura V Ward of Octavia Cup Dance Theatre and the Glam Rock Cabaret, and Alison Babalon of Beautiful Bastards and Oblivion Grin, suggesting that they might be a good fit. Miraculously, the trio formed. The raucous Dinner Party-esque band has become a sanity oasis for all three. Themes careen and intersect with swamp witchery, hot flashes, maniacal misbehavior, and Goddess invocation. Alison’s virtuosic bass work anchors Sierra’s heavy-hitting drums and Laura’s minimalist guitar (or violin). Vocals range from primal screams to somewhat more melodic singing, often within the same song. This IS your grandmother’s punk rock band.

Via O+ Festival.

A group exhibition celebrating the achievements of graduating seniors. On view in the Kresge and Pascal Galleries.

Exact viewing hours for this exhibition to be announced.