Website: School of Contemporary Arts
Concentrations: Digital Filmmaking, Global Communication and Media,
Journalism, Visual Communication Design, Writing.
Convener:
Faculty:
Faculty:
- Lawrence Mascia
- Nakia Matthias
- Edna Negron
- Rowlett Neel Scott
- David Oh
- Ruma Sen
- Sarah Stackhouse
- Ghen Zando-Dennis
- Current as of June 2018
Areas of study within the Communication Arts major: Digital Filmmaking, Global Communication and Media, Journalism, Visual Communication Design (graphic design), and Writing
The Communication Arts Major prepares students for a richly interdisciplinary field that functions at the intersection of media, design, film and society. Emerging in the mid-1900s to become one of the most influential disciplines of the 21st Century, the field of communication is the study and practice of contemporary tools, languages, technologies, media and discourses of and about culture.
Faculty
The Communication Arts faculty includes nationally and internationally recognized scholars, authors, journalists, professional designers filmmakers and writers whose work has been featured in publications, festivals, exhibitions, as well as in books and academic journals.
Curriculum
Students in the Communication Arts major begin their study with foundational knowledge in new technologies and practices in the communication disciplines. They then choose one of five concentrations for further study: Digital Filmmaking, Global Communication and Media, Journalism, Visual Communication Design and Writing. Courses in theory, history, criticism, research, writing and hands on production engage students analytically and creatively with the social, cultural, and aesthetic issues of media.
The curriculum culminates in a senior portfolio capstone project that demonstrates each student’s ability to conceptualize and execute meaningful work using the relevant technologies of his or her concentration.
Co-Op / Internship
As part of the curriculum, Communication Arts students are required to complete a co-op or an internship in their area of interest. Students leave Ramapo College with professional experience in disciplines that include promotions, public relations, advertising, writing, broadcast, print and web design, interactive media, film, television, journalism publishing and non-profit.
Clubs, Events and Exhibitions
Other experiential and co-curricular activities include regular Cinematheque film screenings; the Rho Phi chapter of Lambda Pi Eta, the National Communication Arts Honor Society; a student Creative Media Club; regular presentations by artists, professionals, and alumni; and Media Collision, the annual spring showcase of outstanding student work.
Facilities
The Communication Arts Major maintains a wide range of facilities. Mac and PC computer labs are configured for use in the areas of print and web design, interactive multimedia production, animation, film and audio post-production, new media journalism and global communication and media research. Other facilities include a field production classroom, private editing suites, audio recording studio, student access clusters, print lab, and studio facilities for television/digital film/new media production.
Students completing this program will receive a B.A. degree. A minor in Digital Filmmaking is available.
Outcome 1: Demonstrate understanding of media as an economic, cultural, political and ideological force in society.
Outcome 2: Demonstrate understanding of the ways in which the formal elements of media language (image, text, sound) create meaning.
Outcome 3: Apply original thinking in the work they produce.
Outcome 4: Be able to write appropriately to their discipline, using proper documentation.
Outcome 5: Produce advanced work making appropriate choices about tools and techniques.
Outcome 6: Demonstrate effective oral communication.
- Transfer students who have 48 or more credits accepted at the time of transfer are waived from the courses marked with a (W) below. Waivers do not apply to Major Requirements.
- Double counting between General Education, School Core, and Major may be possible. Check with your advisor to see if any apply.
- Writing Intensive Requirement (five): two writing intensive courses in the general education curriculum are required: Critical Reading and Writing and Studies in the Arts and Humanities the other three courses are taken in the major.
- Not all courses are offered each semester. Please check the current Schedule of Classes for semester course offerings.
COMMUNICATION ARTS MAJOR
- Subject & Course # – Title & Course Description
- GENERAL EDUCATION REQUIREMENTS
- REQUIRED – CRWT 102 - CRITICAL READING AND WRITING II
- SELECT ONE – INTD 101 - FIRST YEAR SEMINAR OR
- HNRS 101 - HONORS FIRST YEAR SEMINAR *
- SELECT ONE – AIID 201 - STUDIES IN ARTS & HUMANITIES OR (W)
- HNRS 201 - HONORS STUDIES IN THE ARTS AND HUMANITIES *
- SELECT ONE – SOSC 110 - SOCIAL SCIENCE INQUIRY OR (W) (Formerly SOSC 101)
- HNRS 110 - HONORS SOCIAL SCIENCE INQUIRY *
- SELECT ONE – (W) - HISTORICAL PERSPECTIVES CATEGORY
- SELECT ONE – (W) - GLOBAL AWARENESS CATEGORY *
- SELECT ONE – - QUANTITATIVE REASONING CATEGORY
- SELECT ONE – - SCIENTIFIC REASONING CATEGORY
- SELECT TWO – DISTRIBUTION CATEGORY (One course must be outside of school)
- * Students in the College Honors Program must take the HNRS course options.
- SCHOOL OF CONTEMPORARY ARTS REQUIREMENTS
- CA INTERDISCIPLINARY COURSES: SELECT ONE (MUST be discipline OTHER THAN major)
- ARHT 305 - AFRICA AND CINEMA
- ARHT 311 - AMERICAN PHOTOGRAPHY AND VISUAL CULTURE
- ARHT 322 - AMERICAN ART I:CONTACT TO 1865
- ARHT 325 - AMERICAN ART: 1865-1945
- ARHT 335 - 19TH CENTURY EUROPEAN ART & DESIGN
- ARHT 337 - PHOTOGRAPHY AND AFRICA
- ARHT 338 - EUROPEAN AVANT- GARDE ART & DESIGN
- ARHT 340 - PERFORMANCE AND ART
- ARHT 341 - IMPRESSIONISM AND AFTER
- ARTS 331 - ART AS THERAPY
- CNTP 466 - ISSUES IN CONTEMPORARY THEATER
- CNTP 468 - ART AND EXILE
- COMM 302 - CONTEMPORARY CRITICISM: FILM
- COMM 310 - APOCALYPTIC VISIONS IN ANIME, FILM & MEDIA
- COMM 317 - MEDIA AND PERSUASION
- COMM 334 - BEYOND THE EDITING ROOM: HISTORY AND AESTHETICS OF FILM EDITING
- COMM 341 - TV NOIR AND AMERICAN CULTURE
- COMM 343 - CINEMA OF THE OTHER
- COMM 355 - NEW HOLLYWOOD CINEMA: 1968-1980 AND THE STUDIO SYSTEM
- COMM 357 - GLOBAL INDIAN CULTURE & MEDIA
- COMM 359 - DIGITAL CULTURE
- COMM 363 - MEDIA & CULTURE IN LATIN AMERICA
- COMM 367 - AMERICAN INDEPENDENT CINEMA
- COMM 373 - NEW YORK AS A LATINO CITYSCAPE
- COMM 377 - GLOBAL MULTICULTURAL MEDIA ISSUES
- MUSI 309 - MUSIC AND GENDER
- MUSI 313 - MUSIC ONLINE
- MUSI 325 - WRITING ABOUT MUSIC
- MUSI 335 - AVANT GARDE AND EXPERIMENTAL MUSIC
- MUSI 352 - MUSICAL IDENTITIES AND CULTURE (formerly MUSI-462)
- MUSI 365 - CONTEMPORARY PERSPECTIVES ON MUSIC
- MUSI 370 - MUSIC SCENES
- THEA 321 - BLACK EXPERIENCE THROUGH THEATER
- THEA 328 - CONTEMPORARY WOMEN PLAYWRIGHTS
- THEA 331 - THEATER & SOCIETY 1950-1960
- THEA 334 - THEATER & SOCIETY 1960-1975
- THEA 341 - FASHION AND POLITICS
- THEA 365 - THEATER, FILM AND CULTURE IN MODERN JAPAN
- COMMUNICATION ARTS MAJOR REQUIREMENTS
- THERE ARE FIVE CONCENTRATIONS IN THE COMMUNICATION ARTS MAJOR:
1. DIGITAL FILMMAKING
2. GLOBAL COMMUNICATION AND MEDIA
3. JOURNALISM
4. VISUAL COMMUNICATION DESIGN
5. WRITING - DIGITAL FILMMAKING CONCENTRATION
- CATEGORY 1: FOUNDATION COURSE REQUIREMENTS
- COMM 204 - MEDIA LITERACY
- COMM 221 - SPEECH FOR COMMUNICATION ARTS
- CATEGORY 2 : HISTORY/THEORY/CRITICISM COURSE REQUIREMENTS
- 200 LEVEL: SELECT ONE
- COMM 203 - FILM REPRESENTATION: RACE, CLASS AND GENDER
- COMM 209 - HISTORY OF TV AND NEW MEDIA
- COMM 229 - WORLD CINEMA MOVEMENTS
- COMM 234 - INTERCULTURAL COMMUNICATION
- 300 LEVEL: SELECT TWO
- CNTP 308 - THE SOCIAL DOCUMENTARY & HUMAN RIGHTS ISSUES
- CNTP 323 - SEXUAL POL GENDER&FILM RPRSNTN
- CNTP 348 - LATINO IMAGES AND HOLLYWOOD
- COMM 302 - CONTEMPORARY CRITICISM: FILM
- COMM 310 - APOCALYPTIC VISIONS IN ANIME, FILM & MEDIA
- COMM 334 - BEYOND THE EDITING ROOM: HISTORY AND AESTHETICS OF FILM EDITING
- COMM 343 - CINEMA OF THE OTHER
- COMM 347 - THE NEW TV CRITICISM
- COMM 357 - GLOBAL INDIAN CULTURE & MEDIA
- COMM 363 - MEDIA & CULTURE IN LATIN AMERICA
- COMM 367 - AMERICAN INDEPENDENT CINEMA
- COMM 369 - HISTORY OF COMEDY IN FILM
- CATEGORY 3: WRITING/PRODUCTION COURSE REQUIREMENTS
- COMM 206 - FUNDAMENTALS OF AUDIO
- COMM 217 - DIGITAL POST PRODUCTION
- COMM 218 - FUNDAMENTALS OF DIGITAL FILMMAKING
- COMM 220 - STORY STRUCTURE: DOCUMENTARY AND FICTION FILM
- COMM 308 - DIRECTING THE DOCUMENTARY FILM
- COMM 337 - DIRECTING THE FICTION FILM
- COMM 352 - THE BUSINESS OF PRODUCING FOR FILM & TV
- COMM 380 - SENIOR PROJECT:PROPOSAL DIGITAL FILMMAKING
- CATEGORY 4: CAPSTONE PORTFOLIO REQUIREMENT
- COMM 433 - SENIOR PROJECT: DIGITAL FILMMAKING
- CATEGORY 5: CO-OP/INTERNSHIP COURSE REQUIREMENT
- CNTP 388 - CO-OP/INTERNSHIP CONTEMPORARY ARTS (4 credits needed)
- CATEGORY 6: ELECTIVE COURSE REQUIREMENT
- ELECTIVES: SELECT ONE
- COMM 202 - FUNDAMENTALS OF INTERACTIVE MEDIA
- COMM 208 - NEWSWRITING
- COMM 263 - PHOTOGRAPHY FOR DESIGNERS
- COMM 306 - VIDEOJOURNALISM
- COMM 327 - MOTION GRAPHICS & TITLE DESIGN
- COMM 329 - PHOTOJOURNALISM
- COMM 332 - TV FOR NEW MEDIA
- COMM 338 - SOUND DESIGN FOR DIGITAL MEDIA
- COMM 342 - DIGITAL CINEMATOGRAPHY
- COMM 344 - WRITING THE SCREENPLAY
- COMM 364 - DIRECTING ACTORS FOR FILM
- COMM 366 - ADVANCED EDITING TECHNIQUES
- COMM 415 - VISUAL EFFECTS FOR DVD & FILM
- COMM 435 - ADV SOUND PRODUCTION FOR FILM & VIDEO
- COMM 450 - WEB SERIES PRODUCTION
- THEA 221 - BASIC ACTING
- THEA 226 - BASIC LIGHTING FOR STAGE AND TV
- GLOBAL COMMUNICATION AND MEDIA CONCENTRATION
- CATEGORY 1: FOUNDATION COURSE REQUIREMENTS
- COMM 204 - MEDIA LITERACY
- COMM 221 - SPEECH FOR COMMUNICATION ARTS
- CATEGORY 2 : HISTORY/THEORY/CRITICISM COURSE REQUIREMENTS
- 200 LEVEL: SELECT ONE
- COMM 203 - FILM REPRESENTATION: RACE, CLASS AND GENDER
- COMM 216 - MEDIA AND CINEMA STUDIES
- 300 LEVEL: SELECT ONE
- CNTP 308 - THE SOCIAL DOCUMENTARY & HUMAN RIGHTS ISSUES
- CNTP 310 - BLACK EXPERIENCE IN MEDIA
- COMM 310 - APOCALYPTIC VISIONS IN ANIME, FILM & MEDIA
- COMM 326 - PERSUASION THEORY AND PRACTICE
- COMM 343 - CINEMA OF THE OTHER
- COMM 367 - AMERICAN INDEPENDENT CINEMA
- COMM 341 - TV NOIR AND AMERICAN CULTURE
- COMM 347 - THE NEW TV CRITICISM
- COMM 373 - NEW YORK AS A LATINO CITYSCAPE
- CATEGORY 3: GLOBAL COMMUNICATION AND MEDIA COURSE REQUIREMENTS
- COMM 234 - INTERCULTURAL COMMUNICATION
- COMM 266 - RESEARCH WRITING METHODS
- COMM 318 - THE CAMPAIGN IN MEDIA AND FILM
- MEDIA PRODUCTION: SELECT ONE
- COMM 202 - FUNDAMENTALS OF INTERACTIVE MEDIA
- COMM 218 - FUNDAMENTALS OF DIGITAL FILMMAKING
- MEDIA CRITICISM AND ANALYSIS: SELECT TWO
- COMM 317 - MEDIA AND PERSUASION
- COMM 340 - MEDIA AND POPULAR CULTURE
- COMM 357 - GLOBAL INDIAN CULTURE & MEDIA
- COMM 363 - MEDIA & CULTURE IN LATIN AMERICA
- COMM 375 - MEDIA AUDIENCES AND IDENTITY
- COMM 377 - GLOBAL MULTICULTURAL MEDIA ISSUES
- MEDIA WRITING: SELECT TWO
- COMM 303 - WRITING FOR SOCIAL MEDIA
- COMM 304 - WRITING FOR PUBLICATION
- COMM 312 - PROPOSAL DEVELOPMENT
- COMM 320 - WRITING FOR PUBLIC RELATIONS
- COMM 349 - PROMOTIONS WRITING
- CATEGORY 4: CAPSTONE PORTFOLIO COURSE REQUIREMENT
- UPPER LEVEL PORTFOLIO COURSE: SELECT ONE
- COMM 410 - GLOBAL MEDIA,LOCAL CHANGE
- COMM 447 - SR PROJECTS:GLOBAL COMMUNICATION & MEDIA (Must take COMM312 in advance)
- CATEGORY 5: CO-OP/INTERNSHIP COURSE REQUIREMENT
- CNTP 388 - CO-OP/INTERNSHIP CONTEMPORARY ARTS (4 credits needed)
- CATEGORY 6: ELECTIVE COURSE REQUIREMENTS
- ELECTIVES: SELECT ONE
- CNTP 323 - SEXUAL POL GENDER&FILM RPRSNTN
- CNTP 348 - LATINO IMAGES AND HOLLYWOOD
- COMM 203 - FILM REPRESENTATION: RACE, CLASS AND GENDER
- COMM 208 - NEWSWRITING
- COMM 209 - HISTORY OF TV AND NEW MEDIA
- COMM 213 - DESIGN THEORY AND CRITICISM
- COMM 215 - VISUAL STORYTELLING
- COMM 219 - IDEA DEVELOPMENT
- COMM 229 - WORLD CINEMA MOVEMENTS
- COMM 230 - CREATIVE WRITING
- COMM 231 - MEDIA ISSUES AND ETHICS (Formerly COMM331)
- COMM 237 - GRAPHIC DESIGN
- COMM 260 - GOOD&EVIL IN DSN FILM & MEDIA (Formerly COMM360)
- COMM 261 - INTRO TO VIDEO GAME STUDIES (Formerly COMM361)
- COMM 263 - PHOTOGRAPHY FOR DESIGNERS
- COMM 307 - ENVIRONMENTAL WRITING
- COMM 308 - DIRECTING THE DOCUMENTARY FILM
- COMM 323 - PRODUCING RADIO DOCUMENTARIES & PODCASTS
- COMM 324 - REPORTING AND PRODUCING ONLINE NEWS
- COMM 339 - PUBLICATION DESIGN
- COMM 346 - CREATIVE ADVERTISING AND PUBLIC RELATIONS
- COMM 352 - THE BUSINESS OF PRODUCING FOR FILM & TV
- COMM 365 - NEWS REPORTING: BROADCAST AND NEW MEDIA
- JOURNALISM CONCENTRATION
- CATEGORY 1: FOUNDATION COURSE REQUIREMENTS
- COMM 204 - MEDIA LITERACY
- COMM 221 - SPEECH FOR COMMUNICATION ARTS
- CATEGORY 2 : HISTORY/THEORY/CRITICISM COURSE REQIUIREMENTS (3 courses)
- SELECT ONE:
- COMM 227 - THE PRESS: HISTORY'S FIRST DRAFT
- COMM 234 - INTERCULTURAL COMMUNICATION
- REQUIRED COURSE:
- COMM 231 - MEDIA ISSUES AND ETHICS (Formerly COMM331)
- SELECT ONE FROM THE FOLLOWING:
- CNTP 308 - THE SOCIAL DOCUMENTARY & HUMAN RIGHTS ISSUES
- CNTP 310 - BLACK EXPERIENCE IN MEDIA
- CNTP 348 - LATINO IMAGES AND HOLLYWOOD
- COMM 317 - MEDIA AND PERSUASION
- COMM 326 - PERSUASION THEORY AND PRACTICE
- COMM 341 - TV NOIR AND AMERICAN CULTURE
- COMM 347 - THE NEW TV CRITICISM
- COMM 357 - GLOBAL INDIAN CULTURE & MEDIA
- COMM 363 - MEDIA & CULTURE IN LATIN AMERICA
- COMM 373 - NEW YORK AS A LATINO CITYSCAPE
- COMM 377 - GLOBAL MULTICULTURAL MEDIA ISSUES
- CATEGORY 3: WRITING/PRODUCTION COURSE REQUIREMENTS
- COMM 208 - NEWSWRITING
- COMM 324 - REPORTING AND PRODUCING ONLINE NEWS
- SELECT ONE OF THE FOLLOWING:
- COMM 311 - COMMUNITY JOURNALISM
- COMM 333 - PRODUCING THE NEWSPAPER
- SELECT THREE OF THE FOLLOWING:
- COMM 306 - VIDEOJOURNALISM
- COMM 329 - PHOTOJOURNALISM
- COMM 365 - NEWS REPORTING: BROADCAST AND NEW MEDIA
- COMM 368 - PRODUCING DIGITAL SPORTS
- COMM 370 - MOBILE JOURNALISM
- SELECT ONE OF THE FOLLOWING:
- COMM 303 - WRITING FOR SOCIAL MEDIA
- COMM 304 - WRITING FOR PUBLICATION
- COMM 307 - ENVIRONMENTAL WRITING
- CATEGORY 4: CAPSTONE PORTFOLIO COURSE REQUIREMENTS
- PORTFOLIO COURSE: SELECT ONE
- COMM 420 - RACE,ETHNICITY & CROSS CULTURAL JOURNALISM
- COMM 430 - SENIOR PROJECT: JOURNALISM
- CATEGORY 5: CO-OP/INTERNSHIP COURSE REQUIREMENT
- CNTP 388 - CO-OP/INTERNSHIP CONTEMPORARY ARTS (4 credits needed)
- CATEGORY 6: ELECTIVE COURSE REQUIREMENT
- ELECTIVES: SELECT ONE
- COMM 202 - FUNDAMENTALS OF INTERACTIVE MEDIA
- COMM 206 - FUNDAMENTALS OF AUDIO
- COMM 207 - FUNDAMENTALS OF TV STUDIO PRODUCTION
- COMM 215 - VISUAL STORYTELLING
- COMM 217 - DIGITAL POST PRODUCTION
- COMM 218 - FUNDAMENTALS OF DIGITAL FILMMAKING
- COMM 220 - STORY STRUCTURE: DOCUMENTARY AND FICTION FILM
- COMM 306 - VIDEOJOURNALISM
- COMM 308 - DIRECTING THE DOCUMENTARY FILM
- COMM 319 - CREATIVE NON-FICTION
- COMM 320 - WRITING FOR PUBLIC RELATIONS
- COMM 336 - SPORTS INFORMATION & PROMOTION CAMPAIGNS
- COMM 349 - PROMOTIONS WRITING
- COMM 410 - GLOBAL MEDIA,LOCAL CHANGE
- LITR 202 - MAGAZINE WORKSHOP
- MUSI 325 - WRITING ABOUT MUSIC
- VISUAL COMMUNICATION DESIGN CONCENTRATION
- CATEGORY 1: FOUNDATION COURSE REQUIREMENTS (2 courses)
- COMM 204 - MEDIA LITERACY
- COMM 221 - SPEECH FOR COMMUNICATION ARTS
- CATEGORY 2 : HISTORY/THEORY/CRITICISM COURSE REQUIREMENTS (3 courses)
- COMM 213 - DESIGN THEORY AND CRITICISM
- COMM 219 - IDEA DEVELOPMENT
- SELECT ONE OF THE FOLLOWING COURSES:
- ARHT 335 - 19TH CENTURY EUROPEAN ART & DESIGN
- ARHT 338 - EUROPEAN AVANT- GARDE ART & DESIGN
- COMM 234 - INTERCULTURAL COMMUNICATION
- COMM 260 - GOOD&EVIL IN DSN FILM & MEDIA (Formerly COMM360)
- COMM 261 - INTRO TO VIDEO GAME STUDIES (Formerly COMM361)
- COMM 310 - APOCALYPTIC VISIONS IN ANIME, FILM & MEDIA
- COMM 317 - MEDIA AND PERSUASION
- COMM 318 - THE CAMPAIGN IN MEDIA AND FILM
- COMM 340 - MEDIA AND POPULAR CULTURE
- COMM 373 - NEW YORK AS A LATINO CITYSCAPE
- CATEGORY 3: WRITING/PRODUCTION COURSE REQUIREMENTS (9 courses)
- COMM 190 - TOPICS:
- COMM 202 - FUNDAMENTALS OF INTERACTIVE MEDIA
- COMM 237 - GRAPHIC DESIGN
- COMM 239 - TYPOGRAPHY
- COMM 263 - PHOTOGRAPHY FOR DESIGNERS
- COMM 322 - WEB DESIGN
- COMM 339 - PUBLICATION DESIGN
- SELECT TWO OF THE FOLLOWING COURSES:
- COMM 290 - TOPICS:
- COMM 327 - MOTION GRAPHICS & TITLE DESIGN
- COMM 354 - WEB DESIGN 2
- COMM 362 - INTERACTIVE ANIMATION DESIGN
- COMM 372 - PACKAGING DESIGN
- COMM 390 - TOPICS
- COMM 405 - VISUAL IDENTITY DESIGN (Course cannot double count)
- CATEGORY 4: CAPSTONE PORTFOLIO COURSE REQUIREMENTS
- SELECT ONE OF THE FOLLOWING COURSES:
- COMM 404 - SENIOR PROJECT: VISUAL COMMUNICATION DESIGN
- COMM 405 - VISUAL IDENTITY DESIGN (Course cannot double count)
- CATEGORY 5: CO-OP/INTERNSHIP COURSE REQUIREMENTS
- CNTP 388 - CO-OP/INTERNSHIP CONTEMPORARY ARTS (4 credits needed)
- WRITING CONCENTRATION
- CATEGORY 1: FOUNDATION COURSE REQUIREMENTS
- COMM 204 - MEDIA LITERACY
- COMM 221 - SPEECH FOR COMMUNICATION ARTS
- CATEGORY 2: HISTORY/THEORY/CRITICISM COURSE REQUIREMENTS
- 200 LEVEL: SELECT ONE
- COMM 203 - FILM REPRESENTATION: RACE, CLASS AND GENDER
- COMM 229 - WORLD CINEMA MOVEMENTS
- COMM 231 - MEDIA ISSUES AND ETHICS (Formerly COMM331)
- COMM 234 - INTERCULTURAL COMMUNICATION
- COMM 260 - GOOD&EVIL IN DSN FILM & MEDIA (Formerly COMM360)
- 300 LEVEL: SELECT TWO
- CNTP 308 - THE SOCIAL DOCUMENTARY & HUMAN RIGHTS ISSUES
- COMM 302 - CONTEMPORARY CRITICISM: FILM
- COMM 310 - APOCALYPTIC VISIONS IN ANIME, FILM & MEDIA
- COMM 317 - MEDIA AND PERSUASION
- COMM 318 - THE CAMPAIGN IN MEDIA AND FILM
- COMM 341 - TV NOIR AND AMERICAN CULTURE
- COMM 343 - CINEMA OF THE OTHER
- COMM 347 - THE NEW TV CRITICISM
- COMM 356 - MEDIA AND TECHNOLOGY
- COMM 357 - GLOBAL INDIAN CULTURE & MEDIA
- COMM 363 - MEDIA & CULTURE IN LATIN AMERICA
- COMM 373 - NEW YORK AS A LATINO CITYSCAPE
- COMM 377 - GLOBAL MULTICULTURAL MEDIA ISSUES
- CATEGORY 3: WRITING COURSE REQUIREMENTS
- COMM 220 - STORY STRUCTURE: DOCUMENTARY AND FICTION FILM
- COMM 304 - WRITING FOR PUBLICATION
- COMM 319 - CREATIVE NON-FICTION
- LITR 280 - INTRODUCTION TO CREATIVE WRITING
- SELECT ONE OF THE FOLLOWING:
- COMM 303 - WRITING FOR SOCIAL MEDIA
- COMM 307 - ENVIRONMENTAL WRITING
- COMM 320 - WRITING FOR PUBLIC RELATIONS
- COMM 333 - PRODUCING THE NEWSPAPER
- COMM 344 - WRITING THE SCREENPLAY
- COMM 349 - PROMOTIONS WRITING
- CATEGORY 4: LITERATURE COURSE REQUIREMENTS
- LITERATURE: SELECT TWO
- AMER 317 - AMERICAN CRIME FICTION&FILM
- CNTP 404 - THE DRAMATIC ELEMENT
- CNTP 414 - FROM FICTION TO FILM
- LITR 202 - MAGAZINE WORKSHOP
- LITR 203 - METHODS OF LITERARY STUDY
- LITR 210 - LITERATURE AND FILM
- LITR 220 - SURVEY OF AMERICAN LITERATURE: PRE-COLUMBIAN TO ROMANTIC
- LITR 221 - SURVEY OF AMERICAN LITERATURE: ROMANTIC TO CONTEMPORARY
- LITR 224 - AMERICAN DRAMA
- LITR 226 - AMERICAN SHORT STORY
- LITR 233 - HARLEM RENAISSANCE
- LITR 235 - AFRICAN AMERICAN LITERATURE
- LITR 236 - MULTICULTURAL LITERATURE
- LITR 237 - IRISH AMERICAN LITERATURE
- LITR 250 - THE ENGLISH NOVEL
- LITR 270 - SURVEY OF EUROPEAN LITERATURE
- LITR 272 - MODERN EUROPEAN DRAMA
- LITR 275 - SURVEY OF LATIN AMERICAN LITERATURE
- LITR 276 - LITERATURE OF THE AMERICAS
- LITR 277 - SURVEY OF AFRICAN LITERATURE
- LITR 308 - CHILDREN'S AND YOUNG ADULT LITERATURE
- LITR 319 - AUTHOR STUDIES
- LITR 320 - COMIC AMERICAN NOVEL
- LITR 338 - LATINO LITERATURE OF THE USA
- CATEGORY 5: CAPSTONE PORTFOLIO COURSE REQUIREMENTS
- COMM 423 - SENIOR PROJECT: WRITING
- CATEGORY 6: CO-OP/INTERNSHIP COURSE REQUIREMENT
- CNTP 388 - CO-OP/INTERNSHIP CONTEMPORARY ARTS (4 credits needed)
- CATEGORY 7: ELECTIVE COURSE REQUIREMENT
- SELECT ONE OF THE FOLLOWING COURSES:
- COMM 202 - FUNDAMENTALS OF INTERACTIVE MEDIA
- COMM 208 - NEWSWRITING
- COMM 215 - VISUAL STORYTELLING
- COMM 217 - DIGITAL POST PRODUCTION
- COMM 218 - FUNDAMENTALS OF DIGITAL FILMMAKING
- COMM 226 - COPY EDITING
- COMM 231 - MEDIA ISSUES AND ETHICS (Formerly COMM331)
- COMM 266 - RESEARCH WRITING METHODS
- COMM 311 - COMMUNITY JOURNALISM
- COMM 312 - PROPOSAL DEVELOPMENT
- COMM 324 - REPORTING AND PRODUCING ONLINE NEWS
- COMM 329 - PHOTOJOURNALISM
- COMM 333 - PRODUCING THE NEWSPAPER
- COMM 336 - SPORTS INFORMATION & PROMOTION CAMPAIGNS
- COMM 339 - PUBLICATION DESIGN
- COMM 346 - CREATIVE ADVERTISING AND PUBLIC RELATIONS
- COMM 365 - NEWS REPORTING: BROADCAST AND NEW MEDIA
- COMM 420 - RACE,ETHNICITY & CROSS CULTURAL JOURNALISM
- LITR 202 - MAGAZINE WORKSHOP
- LITR 280 - INTRODUCTION TO CREATIVE WRITING
- LITR 282 - FICTION WRITING WORKSHOP
- LITR 284 - PERSONAL ESSAY: CREATIVE WRITING WORKSHOP
- MUSI 325 - WRITING ABOUT MUSIC
- THEA 245 - BASIC PLAYWRITING
Note: A 2.0 GPA in the major is required for graduation.
- At least 1/2 of the courses fulfilling a minor must be distinct from the student’s major. That is, three of the five courses required for a minor cannot be used towards fulfillment of major requirements. A school core does not need to be completed for a minor. Minors are open to students regardless of school affiliation.
- Students outside Contemporary Arts school will need to take 5 classes.
- Contemporary Arts school majors and Communication Arts students from different concentrations seeking Digital Filmmaking minor:
- Some of the courses offered in the minor can count in their majors so they will need to take 3-4 courses in the minor depending on their concentration or major.
DIGITAL FILMMAKING MINOR
- Subject & Course # – Title & Course Description
- Required Courses:
- COMM 217 - DIGITAL POST PRODUCTION
- COMM 218 - FUNDAMENTALS OF DIGITAL FILMMAKING
- COMM 220 - STORY STRUCTURE: DOCUMENTARY AND FICTION FILM
- HISTORY, THEORY & CRITICISM: SELECT ONE FROM THE FOLLOWING LIST
- CNTP 308 - THE SOCIAL DOCUMENTARY & HUMAN RIGHTS ISSUES
- CNTP 323 - SEXUAL POL GENDER&FILM RPRSNTN
- CNTP 348 - LATINO IMAGES AND HOLLYWOOD
- COMM 310 - APOCALYPTIC VISIONS IN ANIME, FILM & MEDIA
- COMM 334 - BEYOND THE EDITING ROOM: HISTORY AND AESTHETICS OF FILM EDITING
- COMM 343 - CINEMA OF THE OTHER
- COMM 347 - THE NEW TV CRITICISM
- COMM 367 - AMERICAN INDEPENDENT CINEMA
- COMM 369 - HISTORY OF COMEDY IN FILM
- PRODUCTION 300 LEVEL: SELECT ONE FROM THE FOLLOWING LIST
- COMM 308 - DIRECTING THE DOCUMENTARY FILM
- COMM 337 - DIRECTING THE FICTION FILM
- COMM 344 - WRITING THE SCREENPLAY