{"id":103,"date":"2013-07-02T09:42:24","date_gmt":"2013-07-02T13:42:24","guid":{"rendered":"http:\/\/www.ramapo.edu\/berriecenter\/?page_id=103"},"modified":"2026-07-17T10:04:37","modified_gmt":"2026-07-17T14:04:37","slug":"kresge-pascal","status":"publish","type":"page","link":"https:\/\/www.ramapo.edu\/berriecenter\/art-galleries\/kresge-pascal\/","title":{"rendered":"Kresge & Pascal Galleries"},"content":{"rendered":"
Gallery Hours<\/div>
\n

Tue, Thur, Fri: 1-5 p.m.
\nWed: 1-7 p.m.<\/p>\n<\/div><\/div>\n

About the Kresge and Pascal Galleries<\/h3>\n

The Kresge Foundation Gallery and the Andre Z. Pascal Gallery are in the Angelica and Russ Berrie Center for Performing and Visual Arts. The Kresge and Pascal Galleries are postmodern facilities designed by the firm of Hardy, Holtzman, and Pfeiffer. Since opening the building in 1999, the Galleries have hosted an intriguing contemporary exhibition schedule. Renowned artists shown in the gallery include Henry Darger, Felix Gonzalez-Torres, Lady Pink, Cindy Sherman, Kehinde Wiley, Yoko Ono, Luis Cruz Azaceta, Whitfield Lovell, Alighiero Boetti, Paul Cadmus, Trevor Paglen, Loretta Lux, Chris Verene, Ceal Floyer, Hector Hyppolite, Mona Hatoum, Robert Rauschenberg, Ming Fay, Ant Farm, Mel Edwards, Nalini Malani, Kara Walker, Sophie Calle, Sally Mann, Peter Schumann, Liza Lou, Allora & Calzadilla, Radcliffe Bailey, Catherine Opie, Cathy de Monchaux, Howard Finster, Duane Michaels, Sherrie Levine, Tony Oursler, Nancy Spero, Nairy Baghramian, Andy Warhol, David Wajnarowicz, Lalla Essaydi, Michael Snow, Lynda Benglis, Jimmie Durham, Louise Bourgeois, and\u00a0 Wangechi Mutu.<\/p>\n

Angelica and Russ Berrie provided the lead gift in a campaign that raised funds from corporations and individuals, College employees and alumni, state and federal government, and private foundations. Toward the end of the campaign a challenge grant of $475,000 from the Kresge Foundation assisted the College in raising the balance required to complete the project. The Pascal Gallery was funded by Gregory Z. Bukstein, a beloved and generous benefactor of the College, in memory of his twin brother. Their book, Survival: The Story of Two Brothers, recounts the story of the Bukstein brothers’ early childhood in Poland, exile to Siberia, survival during the Holocaust, life as refugees and pioneers in the then newly-created state of Israel and their eventual emigration to the United States.<\/p>\n

\"Ramapo\"<\/div>\n

EXHIBITION CALENDAR Fall 2026<\/h2>\n
\"A<\/div>
Sep.<\/span> 09<\/span><\/div>
Translucence of Time: Jonathan Lipkin<\/a><\/div>September 09, 01:00 pm -- October 14, 07:00 pm<\/span>
Berrie Center<\/a><\/div>

A one-person exhibition of photographs by <\/span>recently retired professor Jonathan Lipkin.<\/span><\/p>\n

On view in the Pascal Gallery in the Berrie Center from September 9 – October 14.<\/p>\n

A reception will be held Wednesday, September 16, 5-7 P.M.<\/p>\n

Image: Jonathan Lipkin, 3521<\/em>, 2017, pigment print, 44 x 88 inches.<\/p>\n<\/p><\/div><\/div>

\"A<\/div>
Sep.<\/span> 16<\/span><\/div>
Landscape of our Memory<\/a><\/div>September 16, 01:00 pm -- December 04, 05:00 pm<\/span>
Berrie Center<\/a><\/div>

A haunting and original exhibition about the Holocaust by Prague artists Gabriela Bulisova and Mark Isaac.<\/span><\/p>\n

Cosponsored and co-produced by the Center for Holocaust and Genocide Studies, and in collaboration with Stockton University.<\/span><\/p>\n

The Landscape of our Memory<\/em> is a long-term\u00a0artistic project that addresses the \u201cdispersed Holocaust\u201d or \u201cHolocaust by Bullets\u201d by commemorating the more than 2 million individuals who were killed in or near their hometowns rather than in major extermination camps. Inspired by the work of academics studying the Environmental History of the Holocaust (a relatively new sub-field of Holocaust studies), the artists use multiple antique and contemporary strategies\u00a0to, in the words of the late Austrian historian Martin Pollack, “restore the names, faces and stories” of those tragically lost.\u00a0\u00a0Initial work was\u00a0created under the auspices of two Fulbright Scholar grants in Poland, but the project now includes commemorations of those who lost their lives at the Terezin transit camp in the Czech Republic and will soon expand to other locations, including sites in Ukraine and Slovakia. Because every artistic technique is deeply rooted in the landscape, the project has an important environmental sensibility and begins a conversation about the relationship between genocide and ecocide. The artists believe that this will better prepare us to avoid future genocides and ecocides, including the possible extinction of the human race as a result of war or the\u00a0climate crisis.<\/p>\n

This exhibition will be on view in the Kresge Gallery in the Berrie Center. An opening reception will be held Wednesday, September 16, from 5-7 P.M.<\/p>\n

There will be an informal lecture by the artists about their careers on Thursday, 12:30 P.M. in the Adler Theater.<\/p>\n

Image: Mark Isaac and Gabriela Bulisova, Untitled (Witness Tree), <\/em>Okopowa Jewish Cemetery, Warsaw, Poland<\/em>, 2024, analog photograph, 106 x 60 inches.<\/p>\n<\/p><\/div><\/div>

Sep.<\/span> 16<\/span><\/div>
Reception: Berrie Center Galleries<\/a><\/div>05:00 pm - 07:00 pm<\/span>
Berrie Center<\/a><\/div>

A reception to celebrate Translucence of Time: Jonathan Lipkin,\u00a0<\/em>on view in the Berrie Center’s Pascal Gallery from September 9 – October 14 and Landscape of our Memory<\/em>, on view in the Kresge Gallery from September 16 – December 4.<\/p>\n<\/p><\/div><\/div>

October 2026<\/span><\/div>
\"A<\/div>
Oct.<\/span> 28<\/span><\/div>
Fraction, Refraction<\/a><\/div>October 28, 01:00 pm -- December 04, 05:00 pm<\/span>
Berrie Center<\/a><\/div>

Ramapo Curatorial Prize exhibition curated by Zuhra Amini featuring artists who work with fraught histories.\u00a0 <\/span><\/p>\n

Fraction, Refraction<\/span><\/i> is a two-person exhibition in the Pascal Gallery featuring Clare Hu and Basharat Ali Syed, who utilise references to historical events that are often only materially available in parts and pieces to offer entry points into forgotten, overlooked, or purposefully obscured histories at the slightest of angles.<\/span><\/p>\n

The exhibition takes its cue from the process of refraction, whereby a wave bends after it passes through two media of different densities due to the change in the wave\u2019s direction and speed. The title suggests that the process of transformation that happens when encountering a part from a whole alters the perspective of the history in question. In doing so, memory and how materials hold onto memories condition the past.<\/span><\/p>\n

An opening reception will be held Wednesday, October 28, from 5-7 P.M.<\/p>\n

The Ramapo Curatorial Prize is awarded each year to a second-year graduate student at Bard College\u2019s Center for Curatorial Studies.<\/p>\n

Image: Clare Hu, 5010 variation 5<\/em>, 2026, print on cotton thread, polyester thread, cotton duck, hardware, three panels measuring 34 x 120 inches each.<\/p>\n<\/p><\/div><\/div>

\"A<\/div>
Oct.<\/span> 28<\/span><\/div>
Reception: Fraction, Refraction<\/a><\/div>05:00 pm - 07:00 pm<\/span>
Berrie Center<\/a><\/div>

An opening reception celebrating Fraction, Refraction<\/em>, the Ramapo Curatorial Prize exhibition curated by Zuhra Amini featuring artists who work with fraught histories.\u00a0<\/span><\/p>\n

Image: Basharat Ali Syed, Gate Gap<\/em>, 2026, video, 2:28.<\/p>\n<\/p><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

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